Described most recently as "art-rock installation paratroopers" and "a studied form of New Wave anarchism" by Flash Art, a "Performance Galaxy" by Vanity Fair, "Super hard, incredibly fast and overall inspiring" by Thrasher, "more accessible than other bands of its genre" by the New Yorker, and "the best band ever, straight up" by Tokion, Japanther (www.japanther.com) has always been a band apart, running the gamut from performance art to punk rock and back again. Pushing parties to the limit ("Lincoln Center punk-rock concert turned mini-riot" -New York Post), Japanther returns in 2011 with Beets, Limes and Rice, a celebration of ten years in the underground and an ultra-contemporary meditation on catharsis and being in love in a time of darkness. Following on the heels of Rock 'n' Roll Ice Cream (2010), Beets, Limes and Rice was again recorded in the hills of Los Angeles with producer Michael Blum, who has worked with Michael Jackson, Madonna (Like a Prayer, Who's That Girl), Pink Floyd and Suicidal Tendencies. From Venice Beach to Rockaway Beach, this new album delivers a new urban punk rock dance sound that bursts with California sunshine and amped-up collaborations with Ninjasonik, Erick Lyle, Total Warr and John McIntyr. Beets, Limes and Rice was written in the midst of "It Never Seems to End," an 84-hour performance piece in Vienna, Austria for TBA 21; in Paris, Venice, during cross-country travel from Juarez to Brooklyn to Bellingham, and lots of airports in between.